The year 2024 is coming to an end. Many a day since my last post in February I started to write a new blog post, but somehow, every time there was an interruption, and I could not finish it. I'll try to write more often and come back to what happened to me since my last post.
The above photos were taken some winter past in the front yard and back yard of my house in Georgia. Here in Nashville we do not have any snow presently but earlier this month, on December 3rd, we did have a day of light snow. It allowed us to get into the spirit of the season.
The poinsettias are one of the symbols of the season; they symbolize hope, renewal, and prosperity (something we all need.) Unfortunately, I cannot have any of these plants in my house since they are toxic to cats. But my old Christmas cactus blooms every year at this time and is quite pretty.
2024 was a year to remember; so many events, some good and some difficult. It was not a peaceful year really, with global unrest and military conflicts in several countries. In addition there were more climate disasters than usual, earthquakes, volcanic eruptions, tornadoes, floods, hurricanes, fires and more. Let's hope that the weather will be tamer in 2025. Below are photos taken yesterday, December 28: the top one from Western Wyoming and the bottom one from Boston, Massachusetts. Brr...
As I was finishing writing this post I heard that President Jimmy Carter had just died today. I wrote about him before and had planned to write another post a couple months ago for his 100th birthday. I shall write it soon. When Jimmy Carter was Governor of Georgia he offered a position in his administration to my husband. That is the reason we moved to Georgia.... I stopped writing and went outside on my deck as I felt so sad. The sunset was gorgeous and peaceful. Rest in peace, Jimmy.
President Carter had such an extraordinay life. He was so very kind and compassionate. He gave his time and efforts to many, here in the US, and all around the world. We have lost a dear friend.
"There are rainy days in autumn and stormy days in winter when the rocking chair in front of the fire simply demands an accompanying book." - Theodore Roosevelt, 1858-1919, 26th President of the United States.
I hope that wherever you find yourself at the end of this year, you'll be warm and in a cozy place. I also wish you a Happy New Year, one filled with new optimism, good health and fun.
After my last trip to the North Georgia Mountains I was planning to write three blog posts: one on apple orchards in Ellijay, one on my trip up Fort Mountain State Park and one on Cherokee Chief Vann House Historical Site. So many photos were taken that my old laptop could not handle downloading them in a normal amount of time and, in addition, I was preparing my trip to Africa. I left for Addid Ababa, Ethiopia, in mid December, and then spent 10 days including Christmas in Cape Town, South Africa. After another week spent on a safari in Tanzania I was in Nairobi, Kenya for New Year. After another stop in Addis Ababa I returned to Nashville in early January (blog posts will follow when my laptop is set up.) Less than a week after my return to Nashville the weather turned very cold. It was a shock to the system to go from the mid to high 90 F (35C) in Tanzania to 7 to 10 F (-13 C and below) in Nashville, and below 0 F at night (-18 C.) Below is the view from my bedroom window when I got up on Monday January 15, 2024, next to the street view from behind my front room plantation shutters. (View in heading courtesy Parthenon Park, Nashville.)
It snowed non-stop that day, most of the following day, then it turned to ice. It did snow again several days later before the first snow had melted. In the South, winter season begins in October and ends in March. Data shows that in an average winter Nashville gets 4.7 inches of snow. From the night of January 14 to January 15 about 9 inches of snow fell in my backyard thus producing more snow that day than during an entire winter. This broke the previous 1944 record of 2.2 inches in one day. January 15, 2024, was very cold but it was just snow, ice had not formed yet. Some children, daring the cold, were sledding near the closed Tennessee State Capitol in Nashville. Not many people have sleds around here, so the children used cardboard boxes, laundry boxes, flat boards, etc. (Photo courtesy WSMV News.)
Painting below is "Snowday, 1948" by John Philip Falter, American, 1910-1982.
The sun came up a couple of days later; it was pretty, but still dangerously cold and icy.
No cars were driving by on my road and no one was walking either; everything stayed white and silent. Only birds gave signs of life.
There was no mail for a week, no deliveries of any type. I would have liked to walk around town and take pictures, but I could not walk outside. I had planned to drive to Georgia to make sure my house there was fine, but was "ice bound" for that week. I was fortunate that my neighbor helped me down my icy steps so I could drive to Georgia on Tuesday January 23rd, a week after the start of the snow. The steps were still covereed in ice, as well as my walkway.
No snow plow cleared out my street, which is a "boulevard" and in the center of Nashville. The city has just several snow plows, 15 years old. They ordered 37 new snow plows last year but as a result of supply chain problems they only received one of them. Crews were out trying to clear the roads but only the interstate highways, highways and large main roads were serviced. No side street, subdivision or small connecting or secondary roads were cleared; they remained iced over the whole week. At least traffic was sparse as you can see below from the Tennessean newspaper's photographs.
The top left photo is of I-65 just past Nashville toward Birmingham, Alabama. Interstate 65 (I-65) is a major north-south interstate highway connecting between the Great Lakes and the Gulf of Mexico. Traffic on this highway is usually pretty steady. The bottom right photo shows runner Sam Skinner on a Brentwood road. Brentwood is about 15 minutes south of Nashville and is where my daughter and family live. Sam is a musician, a guitar player. One of the songs he composed is called "Cold." I wonder if he is from up north for running like this on an extremely cold arctic day? Actually, my daughter who went to Antarctica in 2022 told me that she had not been as cold there as it was in her backyard... Here she is below in Antarctica in 2022. The other two photos are from her backyard in Brentwood this January 19, a sunset photo and one of the frozen lake and golf course club house.
One of my neighbors who moved not long ago from the state of Wisconsin said it was so quiet and peaceful in Nashville when it snowed compared to northern states - no snow removing equipment, no electric snow blowers, no snow plow trucks, hardly any vehicles and no people walking. The snow stays clean and pure white. The City of Nashville gov. told us "Don't venture outdoors for fear of death" - adding that "One can die from hypothermia within one hour when exposed to temperatures below zero. Go out only in a true emergency" - no problem! Nobody was interested into venturing out and risking frostbites. Unfortunately 36 people still lost their lives and over 300 were injured in the state of Tennessee due to snow during that time. Some died of cold from being stranded in their cars or, of exposure after abandoning their vehicles and walking away but not equipped to fight the cold or snow. Antioch in photo below is a neighborhood of Nashville.
I read a blog from a lady in Chicago, Illinois, who moved to Tennessee. She wrote" "In Chicago, snow plows are out on the street as soon as it starts snowing. People put on their warm boots and give themselves an extra 15 minutes to go where they need to be. This is compared to Tennessee - everyone panics, "Snowday" is declared as soon as one snowflake falls from the sky, and they then hibernate until the dusting on the roads melts away." (Click on collage to enlarge.)
Some hearty souls did venture out as you can see from the photos above, courtesy the Nashville Metropolitan Police Dept. The top photo is a salt crew working near Vanderbilt University. The golf course and park were empty, though. Beautiful photos would have been easy to snap I'm sure, but I could only watch from my windows. Below is the sun going down from my back deck, and that was toward the end of the week (still a lot of snow...)
“A lot of people like snow. I find it to be an unnecessary freezing of water.”
- Carl Reiner, American comedian, 1922-2020.
Beautiful painting above from Claude Monet, French painter and founder of impressionist painting, 1840-1926, entitled Snow Effect, a street in Argenteuil.
This year the chalk festival was held on Saturday October 14 and Sunday October 15 in Marietta, Georgia. I had planned to leave Nashville for Georgia on that Sunday but when I found out about the festival I left on Saturday. The Craft Beer Fest part of the festival was only on Saturday. With the purchase of a ticket one could have unlimited beer samples from dozens of local and national brands. I don't drink beer often, maybe once or twice a year, so I did not miss attending this. I missed the chalk festival in 2022 as I was travelling out of the country at the time. The chalk festival has grown a lot, maybe too much for my liking. It has become quite commercialized, with more arts and crafts vendors, more food and beverage trucks, with long lines.
I read that, because the weather was cloudy and cool, the crowds were not as large as last year, so I am pleased I did not go last year as already this year it took a while to take pictures as you had to queue to see them. This chalk festival started in 2013 as a fundraiser for the Marietta Cobb Museum of Art with just a few artists. When my late husband and I went to the 2014 festival the 40 professional chalk artists then were from eight US states. Now this year there were 83 chalk professionals from all over the US, many from Mexico as well as some from Japan, Italy, Turkey, Brazil, Colombia, France and Ukraine. They still compete around the Marietta Square, which has not grown any, so it gets crowded. There used to be around 10,000 visitors to the two-day event, but now the number reaches 100,000. There are also now 400 volunteers working in shifts. You can look at earlier posts of the chalk festival by clicking on the side of my blog. The aerial photo of the Square, below, was taken a couple of years ago, when less crowded.
Glover Park is in the center of the Square, with a fountain, benches, children play area and a couple of kiosks. Local bands were playing on the kiosk stage. The park was decorated for Halloween.
There was also a community chalk competition with categories for schools, children, teens and adults. Below are entries from children and teens.
Nowadays with cell phones, most people were taking "selfies" in front of the chalk arts. But it still was worth waiting to look at all these chalk paintings.
It seems that this year there was more 3D or anamorphic chalk art. An anamorphic image is a 3D illusion. It is an image that has been stretched out on the ground so that the 3D effect is only visible from a specific spot. If you walk around the piece, it starts to distort. Be sure to click on collage to enlarge.
I stopped and chatted for a while with Joel Yau, a skilled artist from San Rafael, California. He has been coming to Marietta for years and I took photos of his art each time. This time his subject was Portrait of a Young Man by Annibale Garracci (Italian, 1560-1609.) Joel told me where to find the chalk artist from France, on the other side of the Square.
While walking there I took some photos of the numerous dogs at the event. I tried to take the photo of a friendly white dog, but he kept looking the other way. Then he suddenly turned around and came so close to my Canon on my chest that I could only take his nose with my little Sony. It was easier to take a photo of some stuffed dogs, not moving.
Chalk portrait of dogs, and one cat, on the pavement were not moving, either.
I passed by more lovely chalk art. The name of the sponsor is below the chalk art, as well as a little sign with the name of the artist and a small box for tips.
I reached the spot where Dogan Sitki, a Turkish chalk artist, had created a 3D portrait of Spanish painter Salvador Dali. Sitki is a talented artist who after obtaining a master's degree in industrial design and working as an academic assistant for two years decided that his passion was street art. He has received awards from national and international competitions. I found a couple more of his work online.
Some of the chalk art was on boards rather than on the asphalt.
There were so many more - and I did not take pictures of all of them, but I tried!
The chalk used is much thicker than regular blackboard chalk. The sticks are rougher so they won't constantly break on the tough tarmac of the road.
As usual, there were many colorful and stunning works on the ground. It must be quite tiring to keep drawing, bent over the pavement all day. As I was walking, some of the designs seem to leap off, especially the 3D designs. I have looked in awe at pictures of Julian Beever's anamorphic drawings, or trompe-l'oeil. He is a British sidewalk chalk artist born in 1959 who has been creating his designs on the rough pavement since the 1990s. He is known all over the world for his chalk drawings. Here are some examples of his work, courtesy Julian Beever, net.
As I was slowing walking around the Square I finally reached the surface where Jean-Marc Navello, from France, had drawn his chalk art. By then the crowds were diminishing and I was able to speak to him. He certainly looked up when he heard me speak in French. He said I was the first French person he had seen during the two-day event. He asked me if I was there on vacation and was surprised when I told him I had lived in Cobb County for decades. Jean-Marc came from Toulon, in the South of France. He is a graphic designer and illustrator who started his street painting when he saw a chalk festival in France in 2010. Since then he has not let go of his chalk set. His work that day was a 3D piece inspired by modern art.
Jean-Marc told me there are two types of street painters on the ground - first, those who reproduce paintings by great masters or some designs and, second, those who practice free art, which is what he does, mostly in 3D. He said: "It's pure creation. I first create my image on a computer, print it and use it as a model for the reproduction on the floor." Jean-Marc is a multi-award winner, from France, Italy and Great Britain. I asked him if he had entered many street competitions in the US and he replied that is is not easy, as he needs a sponsor to help with costs, and so far he has only been to Marietta, Georgia. He added that it is an ephemeral art form and thus difficult to find sponsors. Below is more of his work.
Chalk street painting is certainly ephemeral - here this weekend and gone within days. But what is not ephemeral? Wealth is made and lost, good health can disappear, friends can drift apart, colors fade, borders shift, and memories are forgotten. Permanence is an illusion. So, let celebrate this ephemeral art and enjoy it while it lasts.
Qual è la vita ma l'ombra di un sogno fugace? - Umberto Eco, Italian, 1936-2016
(Qu'est-ce que la vie sinon l'ombre d'un rêve éphémère? - What is life but the shadow of a fleeting dream?)
In June or July 2022 I watched an interview with the dancer and choreographer Mikhail Baryshnikov on the TV show CBS Sunday Morning. The music from the short clip of him dancing sounded very familiar; I did not know from which ballet this was. For the next several weeks I tried to find out on the Internet where this short dance came from. Finally I found out that it was called the Basilio Variation from the Ballet Don Quixote. I really wished to see this ballet that I had never seen. I had attended ballet performances in Paris at the Opera Garnier, at the San Francisco Opera House, Odessa National Academic Opera and Ballet Theatre in Ukraine, and during my first stay in St. Petersburg, Russia, at the Mariinsky Ballet and Opera House, but never seen this ballet. It had been at least 5 years since I attended, with my late husband, the Moulin Rouge ballet in Atlanta, Georgia.
Then I researched for a while to find where this ballet might be performed within the next few months. I checked all the large cities ballets, such as New York, Los Angeles, San Francisco, Miami, Chicago and more. Then I checked Paris, London, Amsterdam, Zurich, Vienna and Venice - It had been performed there in previous years but not in the near future. I almost gave up and then checked Atlanta. Surprise! It was on the Atlanta Ballet season for 2023, in March. I could not believe that it was so close to home. I waited for tickets to be available and quickly bought one last November. Then my younger daughter told me they were all going to San Salvador for spring break and would fly back into Atlanta just a couple of days before the performance, so I was lucky to find two tickets next to me for my daughter and granddaughter for the Saturday March 18, 2023 matinee performance at the Atlanta Cobb Energy Performing Arts Centre, where ballets take place.
Now I had time to do my favorite thing - research the story, history of the ballet, the music, the artistic directors and choreographers, where and when it had been performed for the first time and more. I found some interesting facts. First of all, the Spanish epic novel Don Quixote was written by Miguel de Cervantes in two parts, in 1605 and 1615. It is considered the first modern novel and one of the greatest. It has been translated into 50+ languages and is the best-selling novel of all times (at least 500 million copies so far.) It has had a great influence on Western books, plays, movies and works of art since then. It offers universal truths, commentaries on social life and provides escapism. Below is Miguel de Cervantes (29 September 1547 - 22 April 1616.)
and some book covers of his novels in several languages; the bottom right one one is an e-book. (Click on collage to enlarge.)
Italy in the 17th and 18th centuries was the European country where one should travel to visit Roman ruins, or view statues, paintings and so forth. But starting in the 19th century, around 1820, travelers switched their interest to Spain. Writers like Victor Hugo, Alexandre Dumas and others thought that Spain offered more inspiration and adventures. French and Russian writers, painters, musicians, and choreographers were inspired by Spain. Europe as a whole shared a fascination for Spain.
Alexander III (1845-1894) Emperor of Russia, was a patron of the ballet, and requested a Spanish-themed ballet be shown in Russia. The imperial theatre commissioned Marius Petipa to mount and choreograph a work in the Spanish style. Below photo of Petipa.
I found the life of Marius Petipa fascinating. Victor Marius Alphonse Petipa was born in 1818 in Marseille, France. His father Jean Antoine Petipa was working as principal dancer and Maitre de Ballet in Marseille. Petipa's mother, Victorine Grasseau, was a drama actress playing tragic roles. His brother Lucien became a distinguished dancer and his sister, Victorine, a noted singer. They were a close-knit family. His father began teaching ballet to Marius when he was seven, and at the age of nine he made his stage debut in one of his father's ballets at the Theatre de la Monnaie in Brussels, Belgium. Marius was appointed to the Ballet of Nantes, France, as principal dancer then in Bordeaux. Below is the Petipa family, with Marius on the left, then his brother Lucien, his sister Victorine and mother Victorine.
In 1843 Marius started a 3-year working tour in Spain where he became master in Sevillian dances and castanets. He then began to choreograph his own ballets. He had already spent time in Paris where his brother Lucien was principal dancer at the Paris Opera. Lucien worked also in Russia and provided Marius with an invitation to travel to St. Petersburg, Russia, in 1847 to become principal dancer at the Imperial Ballet. A year later, in 1848, his father joined him there to be a teacher at the Imperial Ballet School (call the Vaganova Ballet Academy of Russian Ballet since 1957, and shown below.)
Marius Petipa signed a one-year contract in St. Petersburg but was to live there the rest of his life. Following his father's path as a ballet dancer he then had a career in choreography where he created more than 60 ballets, reworked 20 old pieces and re-arranged the dancing in over 35 operas. He also prepared galas and divertissements for court performances, royal nuptials, etc. The St. Petersburg's public adored the ballet and expected brilliant performances; news media reported every detail. Petipa had to keep the highest standards of excellence and perfection, and he did. Tsar Nicholas I attended Petipa's debut performance in October 1847 and a week later presented him with an Imperial gift of a ruby and diamond ring, the first Royal gift in Petipa's long career. The Russian Emperor's treasury (who at the time was the world's wealthiest person) - lavished millions of rubles a year on the Imperial Ballet and Opera, and demanded opulent ballets with perfect technique. Petipa became the Imperial Chief Ballet Master and principal choreographer until 1903 - at 85 years of age.
When Petipa in early 1869 was asked by an Imperial Special Commission to mount a Spanish-themed work he suggested that Ludwig Minkus write the music for the ballet he was considering, a tale from Cervantes' Don Quixote. I read on Minkus - he was also an interesting man. Ludwig Minkus was born on March 23, 1826, in Vienna (at the time the capital of the Austrian Empire.) Minkus' father was a wholesale wine merchant and owned in a district of Vienna a restaurant with its own orchestra. Ludwig started playing the violin at age four and made his public debut at a recital at the age of 8. Later he had an orchestra that competed with another Viennese conductor, the young Johann Strauss, II. In 1853 Ludwig immigrated to St. Petersburg to be the conductor of the orchestra for Prince Nikolai Yusupov. He went on to serve as conductor and principal violinist in the orchestra of the Moscow Imperial Bolshoi Theatre, and was then promoted to the prestigious position of Inspector of the Imperial Theatre Orchestras in Moscow. Below photo of Ludwig Minkus (1826-1917) taken between 1865-1870.
Minkus was an excellent choice to compose the music for the Don Quixote ballet. He was a connoisseur of ballet craft. His music bubbling like Champagne invited artists to dance. Petipa and Ludwig worked well together to create cheerful music and dances in the Spanish and Gypsy styles. Ludwig Fyodorovich Minkus (also known as Leon Minkus) became known as one of the greatest ballet composers who co-created with Petipa some of the most famous of classical ballets including La Source (1866, composed jointly with Leo Delibes,) Don Quixote (1869) and La Bayadere (1877.) Today, Minkus' ballet music is still quite popular and performed in the traditional classical ballet repertory. Cervantes' novel had been adapted into a ballet several times: in Austria in 1740, in Vienna in 1780, in 1809 in St. Petersburg, in 1839 in Berlin and in 1843 in Turin, Italy. For this new production Minkus reworked and expanded the score and supplied music filled with a great variety of Spanish-styled flair. The premiere of Don Quixote on 26th December 1869 for the ballet of the Imperial Bolshoi Theatre in Moscow was a resounding success. Below painting of the Imperial Bolshoi Theatre in 1939 by Alexandr Benois, Russian (1870-1960) followed by the current Bolshoi Theatre and interiors.
The Don Quixote Ballet was so successful that Petipa and Minkus wrote a revival libretto in 1871 which was shown at the St. Petersburg's Mariinsky Theatre and became a classic. It still enchants the public today and is presented in various productions by different companies all over the world. Petipa went on to create spectacular ballets such as Sleeping Beauty, Giselle, the Nut Cracker, and many others. Petipa married and had 3 children. At the age of 76 he received Russian citizenship while permitted to keep his French citizenship. A year later he worked with Peter Tchaikovsky to stage the ballet Swan Lake. He is a legend, a lord of the dance, and came to be known as "the father of Russian ballet." His work is in the repertoire of most current companies. He retired in 1903 and spent his final years in Crimea where he died on 14 July 1910 at the age of 92. He is buried in the Alexander Nevsky Monastery in St. Petersburg. Below photos of the Mariinsky Theatre circa 1859, Petipa's grave, the Don Quixote's Dream Scene at the Mariinsky and the playbill.
Don Quixote has been staged in many versions, with different music scores and choreography. In 1900 Alexander Gorsky staged a revival of the ballet with music from French composer Antoine Simon. A modern version in 1965 was created by American choreographer George Balanchine to the music of Nicolas Nabokov. In 1966 Rudolf Nureyev danced and choreographed the ballet for Vienna. In 1980 Mikhail Baryshnikov mounted his version of the ballet as well. I always loved watching Mikhail dancing (born in Latvia in 1948.) He truly is one of the greatest dancers of his generation with flawless technique and incredible high jumps. He seems to float across the stage. Misha is a superlative dancer combining balance, control and artistry. He is semi-retired for now as he opened in 2005 the Baryshnikov Arts Center in New York City, where he is active. Below are photos of Mikhail Baryshnikov in his younger years, dancing the Don Quixote ballet and receiving the prestigious Royal Academy of Dance's Queen Elizabeth II Coronation Award at Buckingham Palace on November 16, 2022, presented by Camilla, the Queen Consort (her first solo reception since she assumed her new role.) Camilla, wearing a ballerina brooch on her coat, told him "It's a great honor to be able to give you the award. Nobody deserves it more."
Below is the YouTube clip of Mikhail that indicated to me last summer that I was looking for the Don Quixote ballet.
Looking at the Atlanta playbill I was pleased to see that the choreographer Yuri Possokhov (born in Lugansk, Ukraine) and the artistic director Gennadi Nedvigin (born in Rostov, Russia) had based their Don Quixote production of March 17-19, 2023, after Petipa and Minkus.
Saturday March 18, 2023 was a cool but sunny day in Atlanta. We arrived in plenty of time to walk around the foyer and take some pictures. As you can see from the photo of my grandaughter and me walking toward the orchestra seating of the theatre that she is about as tall as me at 9 years old (I am 5ft 3.) She takes after her mother who, in the photograph, is 6 ft tall with heels.
Another lovely scene from the ballet is Kitri's Entrance in Act I. It is danced by the talented Manuela Nunez in the video below. She is an Argentine-British ballerina born in Buenos Aires on March 23, 1982 and now principal dancer at the Royal Ballet in London.
Drawn from an episode in Part II of the Cervantes' novel this was a two hour but fast moving ballet. I enjoyed the vintage and cheerful Minkus music. The lavish and colorful costumes, the many male dancers (more than in other ballets.) the flamenco dancers, the cheeky humor and the comedy were delightful. Sancho Panza, the trusted sidekick and squire of Don Quixote, brought many laughs. The horse Rocinante, a puppet manned by two Atlanta Ballet students, was entertaining as well. Don Quixote by the Atlanta Ballet had been a fast-paced production with impressive dancing and amusing comedy. I was pleased to have found this enchanting ballet in Atlanta.
Photos courtesy the Atlanta Ballet, Atlanta Constitution and Arts Atlanta as photos were not allowed in the theatre.
