This is a continuation of my post from last week on the quilt show at historic Bulloch Hall in Roswell, Georgia. Last week I covered the ground floor. Today it will be the basement and second floor. I intended to only write one post about this show, but the quilts are so extraordinarily beautiful that I could not stop at just a few. After slowing admiring all the quilts on the ground floor, we descended into the basement. At the top of the stairs was quilt no. 59 by Mary Ruth McDonald called "Windows to the Past."
Exhibited in the basement were bags made in Hellenne Vermillion's workshop. These are Sashiko Tote Bags. Hellenne was born in Tokyo, Japan, and is an artist using oil painting, fiber art and silk dye painting. She conducts Sashiko workshops in Atlanta. (Click on collages twice to enlarge.)
Truthfully, I had never heard of "Sashiko" before so I researched it. Sashiko 刺し子, literally "little stabs" or "little pieces" is an ancient fabric art form from Northern Japan. There is no date for the start of sashiko but it could have had its beginning during the Edo era of Japan (1615-1868.) It was originally used to reinforce points of wear or to repair worn or torn areas in fabric. The designs usually came from nature, such as water, clouds, birds and flowers. Designs could also have geometric form, such as squares, triangles, circles, straight and curves lines, etc. From being a repairing technique on worn clothing it has evolved into a decorative technique. As with traditional quilts, the variety of sashiko designs is endless.
White cotton thread on indigo cloth is traditional, but other colors can be used in modern sashiko designs. Sashiko can be made into quilts, pin cushions, pillows, table runners, tote bags and more.
There are several books on sashiko and even some YouTube videos explaining the technique on the Internet. I have many pairs of old jeans and chambray shirts that I was going to give away or throw away. Now I can cut the best parts of the fabric and start working on some sashiko of my own. I like that you can even sashiko stitch on the fabric with the sewing machine.
As we came back upstairs to the ground floor a colorful quilt was hanging on the door - no. 58 "Give the Dog a Bone" by Ben Hollingsworth. The brochure states that "This 'quilt' is a tongue-in-cheek green quilt made from mylar doggie treat bags sewn together. The back is the mylar used in floral arrangements. The batting is made from plastic grocery bags that are sandwiched between layers of mesh vegetable bags." Pretty campy!
There were quilts hanging on the walls as we went to the second floor. I liked no. 94 "Josh's Wolves" by Jackie Collopy. She says that her grandson Josh loves wolves. He is her 5th grandson and this is his high school graduation quilt. I took a close picture of the wolf.
Another original quilt hanging in the staircase was quilt no. 92 "Tinseltown Meets Chattahoochee" by Maxine Moore. It was a guild challenge - making 15 stars using 15 different fabrics. Maxine says that she interpreted this to include her love of movies and Hollywood.
When I saw this quilt I straight away thought about my friend Naomi in Hollywood of the blog Here in the Hills. Naomi has been in theater art and show business for decades and regales us with reminiscences and stories on her blog. Lately she was a judge on Oscar's movies and predicted the top movie winners with 100% accuracy - go to her blog if you do not know it yet.
There were some Christmas themed quilts in one of the bedrooms.
On the wall quilt no. 111 "Winter Socks" by Barbara Means is quite cheerful.
Quilt no. 112 "Christmas Cabins Table runner" by Helga Diggelmann would be a great addition to a lovely dinner table at Christmas time - I like its smooth design.
Upon entering Mittie's Bedroom I was drawn to the chimney where an impressionist style quilt was hanging - no. 129 by Jan Antranikian called "Seasonal Snippets."
On the walls were more lovely quilts. Little spot lights near the quilts were a bit close and bringing too much light for my picture taking as you can see in the two quilts at the bottom below. Holly Anderson in quilt no. 133 "Heritage Baskets" in the lower left side, used 3 basket sizes to create a ripple effect. She says that colors were inspired by Amish and Mennonite quilts of Ohio. The quilt is titled in honor of her paternal grandfather who was born on a Mennonite farm in Holmes County, Ohio.
A low chest under the window was covered with quilt no. 126 "Cross Roads" by Patricia Ann Simone who says "It's recycled - it's reused - and it's repurposed! Love Grama!" I took a close-up of it as I have been keeping all my husband's ties since the 1960s and, if ever I start a quilt, I could use his ties in this pattern.
There was a truly splendid quilt on the wall near the window but difficult to photograph. I took a closer photo of the roses - please note all the fancy stitching. On the door was hanging quilt no. 122 "After the Rain" by Joy Collins featuring luminous roses. She says "Walking through my English Garden following a spring shower inspired this quilt. The rain gave a mysterious shine to every flower and leaf. Even the birds and butterflies capture the glow." A beauty!
Returning into the hall, angels quilts welcomed us into the Sewing Room.
The Sewing Room is not very large but it had some spectacular quilts. Quilt no. 146 "Cobblestones" by Katy King was covering a table, and with a bouquet of flowers on it, it made for a striking picture. It is at the top of this post. Behind it was quilt no. 143 "Delectable Mountains" by Alberta Irwin. This was one of my husband's favorites - I guess because of its handsome non-nonsense good looks - no fussy frou-frou.
There were still some historic Bulloch Hall exhibits left in the Wing Room but some quilts were hanging there, too.
Quilt no. 152 by Helga Deggelmann is called "Detour." She says "Patience is required for this one!" With the myriad of multicolor squares, I am sure that patience and technique were involved. Quilt no. 150 "Dreaming in Crimson" by Diane Knott required some patient attention as well.
When I returned to the hall I saw something that I longed for. You can see it near the cabinet with the family pictures on the shelves ... yes - a chair! certainly a nice place to sit in after all this standing. While in this chair I looked at the quilt on top of the opposite piece of furniture, quilt no. 103 "Fire and Ice" by Barbara Rotondi. Looking at it closely it seems that this quilt could be executed with yarn and knitting instead of quilting, don't you think so? (click on collage to embiggen.)
Then I went to look at a beautiful quilt spread on top of a low chest, quilt no. 96 "Star and Stripes Forever" by Diane Berdis with a "Please do not sit" sign - but I was rested by then. There were more quilts hanging from the walls.
There was a dazzling star quilt on the door leading to the attic. Quilt no. 104 by Lisa Walker "Fireworks at the Capital." She says "I made this little quilt for the bicentennial while living in Washington, D.C. We have many happy memories of July 4th at the Capital." I think it is a good way to end this visit to the second floor - with fireworks!
More quilts to come in my next and final post on the Bulloch Hall quilt show ...
Thursday, March 20, 2014
Thursday, March 13, 2014
Bulloch Hall 32nd Quilt Show - Ground Floor
Last Tuesday, March 11, 2014, started as a very sunny day. We were pleased as we had scheduled to go to Roswell, Georgia, to look at the 32nd annual quilt show in Bulloch Hall. We had been there last year and thoroughly enjoyed our visit. I wrote three posts on the show, starting with A Quilt Show at Bulloch Hall - Ground Floor on March 18, 2013, then posts here and here. We bought our tickets in the gift shop and walked to Bulloch Hall which looked gorgeous in the sun with daffodils in bloom around the front lawn.
In addition to the quilt shows we had visited Bulloch Hall before, during the Christmas season in December 2010 and again in 2012. I wrote posts about each visit. As I had mentioned then Bulloch Hall, which belongs to the city of Roswell now, was the childhood home of Mittie Bulloch who married Theodore Roosevelt in the dining room of the house in 1853. Her son Teddy Roosevelt became the 26th president of the United States. Her other son, Elliott, was the father of Eleanor Roosevelt, the wife of Franklin D. Roosevelt. The home was built in 1839 on 10 acres of land by Major James Stephens Bulloch, an early settler in Roswell. Bulloch Hall is the home of the annual Great American Cover-up Quilt Show. We visited there for more than two hours and when we left it was 78 degrees F outside (25 C.) It was difficult not to take too many pictures of the antebellum mansion or the quilts. (Click on collages twice to enlarge.)
This year the exhibit is taking place March 8 through 16, 2014, with more than 200 quilts mostly made by local artists. Quilts old and new, contemporary and antique are displayed throughout this historic house. The theme for the 2014 show is "Reflections." Marie Wood, co-chair of the event said "It could be reflections of the past, reflections of an image in a mirror or water, or simply reflecting angles in a pattern, whatever the personal interpretation." As we entered the home we were greeted by two large quilts hanging in the front hall. Quilt no. 1 is called "Kimono" by Ann Quandee. Ann was there and told us that the kimono pieces had been pieced and appliqued by a friend and given to her for a quilt. Quilt no. 2 is called "Garden Song" by Carol York.
We wandered around in the front hall and back hall.
At the end of the hall a tall quilt included many flowers. Its name was "Shine on Mrs. Willie B. Brown" by Elisa Wood. The brochure stated "The embroidered blocks were made by Mrs. Willie B. Reed Brown of Memphis, Tennessee. She started hand embroidering the 50 state flowers in the 1950s. In 2013 she turned 101 years old and her blocks live on. Peace!"
At the entrance of the exhibit we were given a small slip of paper to write the number of our favorite quilt - an impossible task! Here is one below I really liked before I even knew what it was called. It is called "Road Trip" by Wendy Blanton. She says "Road trip is made of hand-sewn 3" blocks with 70 pieces in each block. Each block was pieced as my husband and I traveled the roads around our great country."
With such a splendid display of quilts in a great variety of sizes and designs, choosing a favorite will be a very hard task indeed.
I followed my husband into the Warming Room.
The quilt below, no. 21 is "Everything Old is New Again" by Ben Hollingsworth. He said "The quilt is made using all wool clothing purchased by my wife at thrift stores ... each item in the piece represents a way of life in a simple place and time." The bright piece in the center is "Colores de Mexico" by Ellen Apte who says "The fabric photos are from a trip I took to Ajijic, Mexico. It is embellished with Guatemalan worry dolls."
Some quilts had received ribbons. Quilt no. 49 by Patsy Eckman is entitled "Reflection of Sunset on the Zambezi." "This small quilt brings back memories of an evening boat trip on the Zambezi River in Zambia, Africa." No. 50 by Nancy French is called "Gerry's Passion." "This quilt commemorates our friend and guild member Gerry Largay, who was lost on the Appalachian Trail in July 2013." It represents a sunset seen while backpacking to the top of Mt. LeConte in the Great Smoky Mountains in 2012." (Gerry has not been found yet.)
Going back in the hall toward the dining room I passed more lovely quilts, such as the one at the top of my post, no. 29 "Bunch of Beauty" by Altan Altikulac, who was there and told me that the paisley yellow fabric in the center of her flower was decades old. No. 85 "Hearts and Hands" by Penny Menefee took her ten years to complete.
A table topper on the dining room table was outstanding. No. 17 by Diane Berdis is called "East is East." If I ever quilted, this is what I would like to do - a small quilted table topper.
I feel that the period furniture in the historic home adds elegance and atmosphere to the handmade quilts. The dazzling colors of the quilts give the old home an emotional aura full of warmth. While in the dining room I took a picture toward the front parlor but then remembered that photos were not allowed inside the parlor and stopped. I did visit the parlor and was in awe of the artistic quilts shown there. Mrs. Karen Reese Tunnell was the Special Exhibit Artist featured this year and I am sorry I cannot show her work. She specialized in hydro-printing (marbling) fabrics. She has taught and practiced quilting and surface design for 40 years and teaches her art in two schools, one in Brasstown, NC and the other in Gatlinburg, TN.
In the Informal Hall I liked the quilt "Life is a Beach" by Karen Gornall. It would look perfect in a teenager's bedroom.
In the Master Bedroom, the star quilt over the chimney was striking - no. 80 by Linda Wirtz called "25 Charmed Stars Salute."
There were other intricate quilts in this room, such as no. 77 "Your Petticoat is Showing" by Vanessa Howell Brown. She used Civil War fabrics and added lace to the dress forms creating the petticoat that women wore before the turn of the century. The colors of quilt no. 79 "A Quilt for Katherine" by Margaret Betz are very harmonious.
Four large quilts needed closer attention.
No. 78 "Erin's Wedding Quilt" by Beth Garrison Culp was covering the bed. She says "I have worked on this quilt off and on for approximately 20 years."
Walking into the Library my eyes were drawn to both the Victorian settee and marble table. No. 89 "Log cabin - Barn raising setting" by Holly Anderson is a foundation pieced 1/2 logs of silk. This quilt was made circa 1900 by an unknown quilter. Table topper No. 90 "Fall in the Great Smoky Mountains" by Pam Martin was made upon returning from the mountains.
Two guild members were present in the Library, one member was quilting and the other selling raffle tickets for a large blue and white quilt.
We returned to the main hall to continue our visit. As we passed a couple of doors I took some quick photos with my cell phone of two wall hangings. Quilt no. 7 "Tea Ceremony Geisha" is by Lisa Kaupp and is one of the few quilts for sale.
The other quilt, no. 20 "Dragonfly" is by Karne Gornall. I thought that its striking design and colors would lend itself to my "waterlogue" watercolor treatment, which I did when I returned home.
More quilts to come in my next post ...
In addition to the quilt shows we had visited Bulloch Hall before, during the Christmas season in December 2010 and again in 2012. I wrote posts about each visit. As I had mentioned then Bulloch Hall, which belongs to the city of Roswell now, was the childhood home of Mittie Bulloch who married Theodore Roosevelt in the dining room of the house in 1853. Her son Teddy Roosevelt became the 26th president of the United States. Her other son, Elliott, was the father of Eleanor Roosevelt, the wife of Franklin D. Roosevelt. The home was built in 1839 on 10 acres of land by Major James Stephens Bulloch, an early settler in Roswell. Bulloch Hall is the home of the annual Great American Cover-up Quilt Show. We visited there for more than two hours and when we left it was 78 degrees F outside (25 C.) It was difficult not to take too many pictures of the antebellum mansion or the quilts. (Click on collages twice to enlarge.)
This year the exhibit is taking place March 8 through 16, 2014, with more than 200 quilts mostly made by local artists. Quilts old and new, contemporary and antique are displayed throughout this historic house. The theme for the 2014 show is "Reflections." Marie Wood, co-chair of the event said "It could be reflections of the past, reflections of an image in a mirror or water, or simply reflecting angles in a pattern, whatever the personal interpretation." As we entered the home we were greeted by two large quilts hanging in the front hall. Quilt no. 1 is called "Kimono" by Ann Quandee. Ann was there and told us that the kimono pieces had been pieced and appliqued by a friend and given to her for a quilt. Quilt no. 2 is called "Garden Song" by Carol York.
We wandered around in the front hall and back hall.
At the end of the hall a tall quilt included many flowers. Its name was "Shine on Mrs. Willie B. Brown" by Elisa Wood. The brochure stated "The embroidered blocks were made by Mrs. Willie B. Reed Brown of Memphis, Tennessee. She started hand embroidering the 50 state flowers in the 1950s. In 2013 she turned 101 years old and her blocks live on. Peace!"
At the entrance of the exhibit we were given a small slip of paper to write the number of our favorite quilt - an impossible task! Here is one below I really liked before I even knew what it was called. It is called "Road Trip" by Wendy Blanton. She says "Road trip is made of hand-sewn 3" blocks with 70 pieces in each block. Each block was pieced as my husband and I traveled the roads around our great country."
With such a splendid display of quilts in a great variety of sizes and designs, choosing a favorite will be a very hard task indeed.
I followed my husband into the Warming Room.
The quilt below, no. 21 is "Everything Old is New Again" by Ben Hollingsworth. He said "The quilt is made using all wool clothing purchased by my wife at thrift stores ... each item in the piece represents a way of life in a simple place and time." The bright piece in the center is "Colores de Mexico" by Ellen Apte who says "The fabric photos are from a trip I took to Ajijic, Mexico. It is embellished with Guatemalan worry dolls."
Some quilts had received ribbons. Quilt no. 49 by Patsy Eckman is entitled "Reflection of Sunset on the Zambezi." "This small quilt brings back memories of an evening boat trip on the Zambezi River in Zambia, Africa." No. 50 by Nancy French is called "Gerry's Passion." "This quilt commemorates our friend and guild member Gerry Largay, who was lost on the Appalachian Trail in July 2013." It represents a sunset seen while backpacking to the top of Mt. LeConte in the Great Smoky Mountains in 2012." (Gerry has not been found yet.)
Going back in the hall toward the dining room I passed more lovely quilts, such as the one at the top of my post, no. 29 "Bunch of Beauty" by Altan Altikulac, who was there and told me that the paisley yellow fabric in the center of her flower was decades old. No. 85 "Hearts and Hands" by Penny Menefee took her ten years to complete.
A table topper on the dining room table was outstanding. No. 17 by Diane Berdis is called "East is East." If I ever quilted, this is what I would like to do - a small quilted table topper.
I feel that the period furniture in the historic home adds elegance and atmosphere to the handmade quilts. The dazzling colors of the quilts give the old home an emotional aura full of warmth. While in the dining room I took a picture toward the front parlor but then remembered that photos were not allowed inside the parlor and stopped. I did visit the parlor and was in awe of the artistic quilts shown there. Mrs. Karen Reese Tunnell was the Special Exhibit Artist featured this year and I am sorry I cannot show her work. She specialized in hydro-printing (marbling) fabrics. She has taught and practiced quilting and surface design for 40 years and teaches her art in two schools, one in Brasstown, NC and the other in Gatlinburg, TN.
In the Informal Hall I liked the quilt "Life is a Beach" by Karen Gornall. It would look perfect in a teenager's bedroom.
In the Master Bedroom, the star quilt over the chimney was striking - no. 80 by Linda Wirtz called "25 Charmed Stars Salute."
There were other intricate quilts in this room, such as no. 77 "Your Petticoat is Showing" by Vanessa Howell Brown. She used Civil War fabrics and added lace to the dress forms creating the petticoat that women wore before the turn of the century. The colors of quilt no. 79 "A Quilt for Katherine" by Margaret Betz are very harmonious.
Four large quilts needed closer attention.
No. 78 "Erin's Wedding Quilt" by Beth Garrison Culp was covering the bed. She says "I have worked on this quilt off and on for approximately 20 years."
Walking into the Library my eyes were drawn to both the Victorian settee and marble table. No. 89 "Log cabin - Barn raising setting" by Holly Anderson is a foundation pieced 1/2 logs of silk. This quilt was made circa 1900 by an unknown quilter. Table topper No. 90 "Fall in the Great Smoky Mountains" by Pam Martin was made upon returning from the mountains.
Two guild members were present in the Library, one member was quilting and the other selling raffle tickets for a large blue and white quilt.
We returned to the main hall to continue our visit. As we passed a couple of doors I took some quick photos with my cell phone of two wall hangings. Quilt no. 7 "Tea Ceremony Geisha" is by Lisa Kaupp and is one of the few quilts for sale.
The other quilt, no. 20 "Dragonfly" is by Karne Gornall. I thought that its striking design and colors would lend itself to my "waterlogue" watercolor treatment, which I did when I returned home.
More quilts to come in my next post ...
Categories
2014,
Antiques,
Bulloch Hall,
Flowers,
Georgia,
History,
Quilts,
US President
Wednesday, March 5, 2014
A flexible vegetable stew with Vidalia Onions
Last month, before the ice and snow storm, we went to the Scott's Antique Market in Atlanta. This antique and collectible show is held on the second week-end of each month. We go there several times a year as we enjoy looking at the great variety of items for sale. Last month I found some vintage postcards and several old books. Outside there were many vendors too, from antiques to garden furniture, plants, and bric-a-brac. I purchased some fresh green beans and Vidalia onions from the booth of a farmer. I had never used the green Vidalia onions before and was a bit curious about them.
The sweet Vidalia onions are popular in Georgia and are well known by gourmets everywhere. They are trademarked and can only be grown in thirteen counties in Georgia and specific portions of seven other Georgia counties. It is illegal to grow them in any other area. They are like the Champagne in France that can only be called by that name if the grapes have been grown in the Champagne area, all other places cannot call their bubbly wine Champagne. Champagne and Vidalia onions have what we call in French an "Appellation d'Origine Controlee" - or controlled designation of origin. (Photos in collages below courtesy Vidalia Onion Committee.) (Click on collage twice to enlarge.)
The Vidalia Onion Festival is held in Vidalia every year in April to celebrate this famous sweet onion. I'd like to go there sometimes but as shown on the map above it is a bit far from Atlanta - at least a 3 hours drive or 194 miles (312 kms.)
The town of Vidalia was incorporated on January 1, 1890. At the time it was just a small town along the railroad. It owes its name to Vidalia Wadley, the daughter of the president of Central of Georgia Railroad. In 2000 metro Vidalia area had a population of about 35,000. Vidalia is located in Toombs County. Of course, as I am curious I had to find out why the county was named Toombs. It turns out that Robert Augustus Toombs (1810-1885) was an ardent secessionist who helped lead Georgia out of the Union. He was the first Secretary of State of the Confederacy and a senator from Georgia. He had a "volatile personality" and was of English descent. Toombs was a Confederate General and refused political pardon after the Civil War. His antebellum home in Washington, Georgia, is now a museum filled with Toombs memorabilia and antique furniture. (I'll have to go there on a trip sometime.) (Photos below courtesy Wikipedia.)
But to come back to our onions, the Vidalia onion is the "official vegetable" of the State of Georgia and a major crop for the state.
As mentioned above, in 1931 a farmer in Toombs County discovered that his onions were sweet. Other farmers in the area started to grow this onion too and the tourist trade and good PR made it popular. The pyruvate level or Pyruvic Acid is the "standard" industry tool to categorize onion pungency. Vidalia onions have a very low level of pyruvate because the native soil is low in sulfur and the area has a mild climate - it will not cause heartburn or indigestion. The Vidalia onion can be cooked as a regular onion, but because of its sweetness it can also be eaten raw, in salads and sandwiches. The green onions I bought at the antique show are called "Lil' Bo's Petite Sweet Vidalia Onions" and produced by the Herndon Farms of Lyons, Georgia. They were named after Bryton Bo Kight, the grandson of the farm owner, Bo Herndon. I liked those I bought last month so much that I bought some more today at the supermarket and will make a vegetable stir-fry with them.
Anyhow, last month during that cold week I made up a vegetable stew. I called it "Ice Storm Green Bean Stew" but I made up a variation of this stew two weeks later, so now I call it "Flexible Vegetable Stew with Vidalia onions." First I gathered what I believed would go nicely together, or rather, what I had on hand such as a large green pepper - I always like green peppers and onions.
Then I gathered mushrooms, garlic, a lamb chop, canned tomatoes, white kidney beans, herbs and spices.
As I cooked I tried to keep notes, but I am not a good recipe writer. Here it is below.
Flexible Vegetable Stew with Vidalia Green Onions
1 shoulder lamb chop, or beef stew, or veal or chicken (or no meat) ...cut into small pieces
1 1/2 pound fresh green beans, cut 1 inch long
2 or 3 large green Lil' Bo's Vidalia sweet onions (or 4 or 5 green onions if unavailable)
6 cloves garlic, sliced thin
1 piece, 1 1/2 inch long, of fresh ginger, sliced (if available and optional)
1 large green pepper, thinly sliced longwise
5 or 6 mushrooms, sliced
1 large can (28 oz) tomatoes in basil sauce + 1/2 can water
1 medium can (14.5 oz) diced tomatoes in juice
1 large can (20 oz/567 gr) white kidney beans
1 tsp Creole seasoning
2 tsp dry oregano
1 Tablespoon dry basil
1/8 tsp red cayenne pepper
1 tsp Worcestershire sauce
Olive oil and butter - salt and pepper to taste
Cut white parts of Vidalia green onions and slice (reserve green parts.) Place some olive oil (about 1+ Tbs) and a piece of butter into a large pot. Fry white of green onions and green pepper for several minutes, stirring. Add ginger and garlic, fry for a minute longer, stirring. Add more oil or butter if needed so it won't stick. Add meat if used and stir, fry until no longer pink. Add green beans, stir and cook 5 minutes on medium. Add seasoning and herbs, salt and pepper and mushrooms. Add the 2 cans of tomatoes and water, stir and cook, uncovered for about 15 minutes, gently boiling to reduce liquid. Add can of beans, which has been drained and rinsed, and sliced parts of Vidalia green onion. Cover and turn down heat. Cook 20 minutes - check after 10 minutes and stir. Serve with couscous, or mashed potatoes. (Makes a lot)
This recipe makes a large amount. We ate it for 3 days and I froze some too. Then two weeks later I decided to make this stew again as we liked it, but with a variation. I purchased 1 pound of fresh green beans and 1/2 pound of yellow string beans. I used a red bell pepper this time and an eggplant (aubergine.) I also added a regular Vidalia onion, or a yellow onion, chopped. Instead of the white kidney beans I used a large can of garbanzo beans (chickpeas.) I did not use the Creole seasoning but 1 teaspoon of smoked paprika, 1 heaping teaspoon of Zatar (Middle Eastern spice) and 2 teaspoons of Turkish oregano. The rest stayed the same: Vidalia green sweet onions, etc. This was good with rice pilaf, Armenian style. If Zatar is not available I'd use Herbes de Provence instead.
The reason I called this recipe"flexible" is because you can keep the basic green beans, garlic, mushrooms, onions and tomatoes recipe and just change the beans and the herbs and spices. Next time I'll use black beans or dark kidney beans and add a can of corn, then some chili powder to give it a Mexican taste. Another time I'll use red beans, some andouille sausage or other smoked sausage and Cajun spices to give it a New Orleans style, and serve it with white rice. But it does make a large amount and could easily be halved or placed in several small containers in the freezer.
The weather did warm up a bit, enough for our Oregon Grape Holly (Mahonia aquifolium) to bring out its sweet scented bright yellow flowers. The birds love this plant and propagate it well as we have holly bushes sprouting up all over the back and front yard.
I love to watch the birds, and other critters, whether they come to eat the berries from the Oregon Grape Holly bushes or from our bird feeders.
To finish, below is my Lil' Bo's Petite Sweet Vidalia Onions® and assorted vegetables photo worked with my waterlogue app.
The sweet Vidalia onions are popular in Georgia and are well known by gourmets everywhere. They are trademarked and can only be grown in thirteen counties in Georgia and specific portions of seven other Georgia counties. It is illegal to grow them in any other area. They are like the Champagne in France that can only be called by that name if the grapes have been grown in the Champagne area, all other places cannot call their bubbly wine Champagne. Champagne and Vidalia onions have what we call in French an "Appellation d'Origine Controlee" - or controlled designation of origin. (Photos in collages below courtesy Vidalia Onion Committee.) (Click on collage twice to enlarge.)
The Vidalia Onion Festival is held in Vidalia every year in April to celebrate this famous sweet onion. I'd like to go there sometimes but as shown on the map above it is a bit far from Atlanta - at least a 3 hours drive or 194 miles (312 kms.)
The town of Vidalia was incorporated on January 1, 1890. At the time it was just a small town along the railroad. It owes its name to Vidalia Wadley, the daughter of the president of Central of Georgia Railroad. In 2000 metro Vidalia area had a population of about 35,000. Vidalia is located in Toombs County. Of course, as I am curious I had to find out why the county was named Toombs. It turns out that Robert Augustus Toombs (1810-1885) was an ardent secessionist who helped lead Georgia out of the Union. He was the first Secretary of State of the Confederacy and a senator from Georgia. He had a "volatile personality" and was of English descent. Toombs was a Confederate General and refused political pardon after the Civil War. His antebellum home in Washington, Georgia, is now a museum filled with Toombs memorabilia and antique furniture. (I'll have to go there on a trip sometime.) (Photos below courtesy Wikipedia.)
But to come back to our onions, the Vidalia onion is the "official vegetable" of the State of Georgia and a major crop for the state.
As mentioned above, in 1931 a farmer in Toombs County discovered that his onions were sweet. Other farmers in the area started to grow this onion too and the tourist trade and good PR made it popular. The pyruvate level or Pyruvic Acid is the "standard" industry tool to categorize onion pungency. Vidalia onions have a very low level of pyruvate because the native soil is low in sulfur and the area has a mild climate - it will not cause heartburn or indigestion. The Vidalia onion can be cooked as a regular onion, but because of its sweetness it can also be eaten raw, in salads and sandwiches. The green onions I bought at the antique show are called "Lil' Bo's Petite Sweet Vidalia Onions" and produced by the Herndon Farms of Lyons, Georgia. They were named after Bryton Bo Kight, the grandson of the farm owner, Bo Herndon. I liked those I bought last month so much that I bought some more today at the supermarket and will make a vegetable stir-fry with them.
Anyhow, last month during that cold week I made up a vegetable stew. I called it "Ice Storm Green Bean Stew" but I made up a variation of this stew two weeks later, so now I call it "Flexible Vegetable Stew with Vidalia onions." First I gathered what I believed would go nicely together, or rather, what I had on hand such as a large green pepper - I always like green peppers and onions.
Then I gathered mushrooms, garlic, a lamb chop, canned tomatoes, white kidney beans, herbs and spices.
As I cooked I tried to keep notes, but I am not a good recipe writer. Here it is below.
Flexible Vegetable Stew with Vidalia Green Onions
1 shoulder lamb chop, or beef stew, or veal or chicken (or no meat) ...cut into small pieces
1 1/2 pound fresh green beans, cut 1 inch long
2 or 3 large green Lil' Bo's Vidalia sweet onions (or 4 or 5 green onions if unavailable)
6 cloves garlic, sliced thin
1 piece, 1 1/2 inch long, of fresh ginger, sliced (if available and optional)
1 large green pepper, thinly sliced longwise
5 or 6 mushrooms, sliced
1 large can (28 oz) tomatoes in basil sauce + 1/2 can water
1 medium can (14.5 oz) diced tomatoes in juice
1 large can (20 oz/567 gr) white kidney beans
1 tsp Creole seasoning
2 tsp dry oregano
1 Tablespoon dry basil
1/8 tsp red cayenne pepper
1 tsp Worcestershire sauce
Olive oil and butter - salt and pepper to taste
Cut white parts of Vidalia green onions and slice (reserve green parts.) Place some olive oil (about 1+ Tbs) and a piece of butter into a large pot. Fry white of green onions and green pepper for several minutes, stirring. Add ginger and garlic, fry for a minute longer, stirring. Add more oil or butter if needed so it won't stick. Add meat if used and stir, fry until no longer pink. Add green beans, stir and cook 5 minutes on medium. Add seasoning and herbs, salt and pepper and mushrooms. Add the 2 cans of tomatoes and water, stir and cook, uncovered for about 15 minutes, gently boiling to reduce liquid. Add can of beans, which has been drained and rinsed, and sliced parts of Vidalia green onion. Cover and turn down heat. Cook 20 minutes - check after 10 minutes and stir. Serve with couscous, or mashed potatoes. (Makes a lot)
This recipe makes a large amount. We ate it for 3 days and I froze some too. Then two weeks later I decided to make this stew again as we liked it, but with a variation. I purchased 1 pound of fresh green beans and 1/2 pound of yellow string beans. I used a red bell pepper this time and an eggplant (aubergine.) I also added a regular Vidalia onion, or a yellow onion, chopped. Instead of the white kidney beans I used a large can of garbanzo beans (chickpeas.) I did not use the Creole seasoning but 1 teaspoon of smoked paprika, 1 heaping teaspoon of Zatar (Middle Eastern spice) and 2 teaspoons of Turkish oregano. The rest stayed the same: Vidalia green sweet onions, etc. This was good with rice pilaf, Armenian style. If Zatar is not available I'd use Herbes de Provence instead.
The reason I called this recipe"flexible" is because you can keep the basic green beans, garlic, mushrooms, onions and tomatoes recipe and just change the beans and the herbs and spices. Next time I'll use black beans or dark kidney beans and add a can of corn, then some chili powder to give it a Mexican taste. Another time I'll use red beans, some andouille sausage or other smoked sausage and Cajun spices to give it a New Orleans style, and serve it with white rice. But it does make a large amount and could easily be halved or placed in several small containers in the freezer.
The weather did warm up a bit, enough for our Oregon Grape Holly (Mahonia aquifolium) to bring out its sweet scented bright yellow flowers. The birds love this plant and propagate it well as we have holly bushes sprouting up all over the back and front yard.
I love to watch the birds, and other critters, whether they come to eat the berries from the Oregon Grape Holly bushes or from our bird feeders.
To finish, below is my Lil' Bo's Petite Sweet Vidalia Onions® and assorted vegetables photo worked with my waterlogue app.
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