In my post of June 11, 2018, I mentioned that our black walnut tree had been uprooted by the wind and fallen on the roof of our Georgia house. I drove from Nashville to Georgia to have it removed, then found a roofer who agreed to replace the roof in August. In August I drove back to Georgia but he did not show up. I had to find another roofer who agreed to replace the roof last Tuesday, September 18, so I drove back to Georgia on Sunday 16th, 2018. Because of Hurricane Florence the insurance company had delayed our claim and not approved the new roofer. The new date for the roof will be in October and I'll drive back here then. Last month I stopped at my usual rest area on highway I-24 near South Pittsburg, Tennessee. This time I could see a white blanket near the banks of the lake and as I approached was greeted by a million of little flowers with a sweet aroma (similar to jasmine.) They formed a cascade of delicate flowers on the fence. Their name is "Virgin's Bower" (aka Devil's Darning Needles or Old Man's Beard.) This little flagrant flower is from a vine, the clematis virginiana, from the Ranunculaceae family (buttercup) it is aggressive and invasive. The Cherokee Indians used it for medicinal purposes.
When I stopped again last Sunday the flowers were gone as well as the sun. Below is a map showing where the rest stop is located between Tennessee and Georgia.
I am still in Georgia, working in the house, clearing, cleaning, giving away but I did hurt my back a bit as well as my recently operated knee by moving some heavy objects, so am taking a break today. I'll drive back to Nashville in a couple of days. All the closets are still packed full and while cleaning I always find some items I have not seen in years. Again I found bags with old photos. These are film pictures, taken years ago. My scanner is now in Nashville but I copied some of the photos with my cell phone so I could show them here.
Looking at some of these photos brought back many good memories. I did not look at all of them as I need to spend as much time as I can on clearing out the house. I don't even watch TV apart from the news and weather, and lately the news brought back some memories that were not that good. When I left Paris, France, in the early 1960s, to travel to the USA, a friend who had lived several years here gave me some advice. He said that the US culture was very different from the French, that it was male-oriented. He added that in France boys play with girls from an early age and feel comfortable with them and respect them. They can have close female friends for years without any sexual situation. But in the US, maybe because of boys' dominated sports, starting in schools, gender inequity starts early, and girls are supposed to care about boys' feelings but not vice versa. He also said that there is a great deal of violence against women in the US that goes unreported because abusers are protected and women are discredited, disparaged and blamed. So he added ... "you are pretty, so watch out." And this was back in the 1960s ... Below are some pictures I found of me from about that time.
On my way west I stopped in Washington, DC, to visit a girlfriend from college in the UK. I remember that it was a lovely week-end. My friend said that she had planned to have a picnic in a park with her boyfriend and that he had found a friend for me as a "blind date." She added that he came from a very rich family in Maryland and had just been given a fabulous convertible car. I did not know what a "blind date" was as we don't even have a French word for date, and told her I did not need one, but she said it would be fun. We went to a secluded area of the park along a river, placed a blanket on the ground and the basket of food. They had forgotten the ice for the sodas, and told me to get acquainted with him while they went to get ice. I remember his car as being huge; I looked on Google to find one like his. It was or similar to the Chevrolet Impala below. He was proud of it and wanted to take me on a ride but I declined (I was not awed by that car as at the time my favorites were British sports cars, like the MG, Morgan +4 or Jaguar.) Then he asked if I was impressed that he attended an academy in Annapolis. I did not know what that was and he made fun of me, saying I didn't know much but then I also was a foreigner, so that explained it. He told me that it was the most prestigious naval academy in the world. (Below pictures of the car, and of the US Naval Academy in Annapolis, Maryland.)
He said something like "You are from Gay Paree, then, you know more things like this ..." and he proceeded to pin me on the ground and grab my shirt. I was terrified and did not know what to do. I tried to move from under him but he was big. I started to panic as he was grabbing my bra and pulling my trousers down. But then I heard my friends coming back and he pulled away. They could see I did not look right so I told them I had these terrible cramps and needed to get back home for medicine and they took me back. I never told anyone ever, this is the first time I mention it. I felt terrible shame that he would think because I was French I was easy and tried to forget it. I'll give you one more time I was assaulted, at my first job, in San Francisco a few years later. Here are pictures of me at about that time. I found these yesterday, and they are not technically good.
My office in San Francisco was on Post Street, close to Union Square. It was not very large, maybe about 50 employees or so. I really enjoyed working there and had made many friends, male and women. My best friends were a woman from Texas and also two gay males, who were wonderful gourmet cooks. I was a purchasing clerk and had a kindly manager. I never had to interact with the president of the company, an elder man, who was often away on business. Below are pictures of San Francisco in the 1960s, with Union Square. The postcard of Post Street is vintage, early 1900s.
About 2 or 3 years after I started working there one Friday (I remember it was a Friday because most people did not stay late) I decided to work late to finish some work. I needed to count some items and went into the warehouse in the back - a huge warehouse. It was very dark because of the week-end coming up. I was not sure where the items were and walked up and down the aisles. The president of the company came behind me and asked if he could help me. I told him what I was looking for and when he led me to the back of the warehouse in almost total darkness I was not suspicious. Alas, he turned on me, grabbed me and tried to undo my blouse. I started to shout but he placed his hands on my mouth. Again I was petrified and remembered my last encounter. It was so dark there. He pushed me against the shelves and I fought to get him to move his hands away, doing so I knocked a bunch of boxes on the shelf that went crashing down making a huge noise. Unbeknownst to us there was a warehouse employee working and he came running to see what the noise was. The president said it was a mouse that had scarred me. I don't know if he believed it but I was able to get back to my desk and leave. I was sick about it the whole week-end but did not tell anyone as I needed the job and knew no one would believe me since he was the president. I did not even go to my Clairol hair modeling job that I had on week-ends. (More pictures I found in the closet from that era.)
I had two more instances like these in another company, but not as bad. I never told anyone about any of them until now. The first one happened in the early 1960s or more than 50 years ago! But you know I have never forgotten and as I was writing this tears were falling down my cheek. It's silly I know, it was such a long time ago. I tried to forget but it had been traumatic and I could not. I researched and found out that the US has 75% more rapes than in France, that it is one of the top 3 countries in the world for sexual assaults. Every 98 seconds a woman is sexually assaulted in the US and one out of every 5 women is assaulted in college. The US Justice Dept estimates that 300,000 American women are raped every year (but the CDC estimates that because it is highly unreported the number is closer to 1.3 millions.) The US audience, male and female, does not seem to care and more assaults go unreported as the victims are usually not believed and blamed if they come forward (63% of assaults are unreported and 99% of aggressors go free.) I read a couple of weeks ago that some men reported that when they were children (40+ years ago) and Altar Boys, they had been sexually assaulted by priests. Those men were believed and not ostracized and harassed and no one sent them death threats - but then, they are men, aren't they? As long as women are not taken seriously (women make 51% of the US population but only 19% of the Congress) there won't be much equality under the law. The Parliamentary Union compared in 2018 women in parliament in 193 countries, France came no. 14 and the US no. 103. Well, I better talk about better memories from my old photographs. Below, the top pictures are in Bruges, Belgium. The bottom left is at Butchart Gardens, Victoria, BC, Canada and on the bottom right the Tezcuco Plantation in Burnside, Louisiana, built in 1855.
The top left picture below was taken during the 1996 Summer Olympic Games in Atlanta. We had purchased tickets to attend the bicycle racing games in Stone Mountain. The top right picture was taken in Browning, northwest Montana, the site of the tribal government of the Blackfeet Nation, an American Indian reservation established by treaty in 1855. I had visited my younger daughter who was spending the summer in Montana for her Master's Thesis from Jones Hopkins University. She was studying something about the health of Native American women. The bottom two pictures were taken at Waterton Lakes National Park in Alberta, Canada, that borders Glacier National Park in Montana.
More pictures of the Blackfeet Nation festival. The bottom right photo was taken on my 60th birthday with my two daughters.
There are more pictures that I have not seen in ages. It will be fun to go through those, once I am finished with the Georgia house. But that won't be for many more months - after additional driving between Nashville and greater Atlanta, Georgia.
Showing posts with label Canada. Show all posts
Showing posts with label Canada. Show all posts
Saturday, September 22, 2018
Wednesday, April 18, 2018
Armchair traveling to ...Simla, India
Just a few more knee therapy sessions and it will be over. It seems that this second knee surgery was easier than the last one. But in the last few days I have developed more pain in my left ankle and foot - I had an injury there years ago and the ligaments are gone. I'll see an orthopedist soon. As the character of Gilda Ratner, Roseanne Roseannadanna, in the TV show Saturday Night Live used to say: "...it's always something - if it ain't one thing, it's another." C'est la vie! I spent much time reading the first few weeks after surgery, not in an armchair, but in a sofa bed since I was not allowed to step upstairs to my bedroom. (Below painting is "Reading Girl on a Sofa" by Isaac Israels (1865-1934) a Dutch Impressionist painter.)
The last time I went to our house in Georgia I gave about 400 more books to the library, but there are thousands more to go through. For years my husband and I gathered books from book sales and second-hand bookstores. Many are still unread and it is difficult to decide which ones to keep - of course my husband, because of his advancing Alzheimer's disease, cannot read anymore. I brought several boxes of books to Nashville and while recuperating from my knee surgery I read "light reading" mysteries. Then I decided to read a slim paperback I had bought in Monreal, Canada, years ago. It is called "The Pool in the Desert" by Sara Jeannette Duncan. It contains four novellas originally published in 1903. The back of the book says "Sara Jeannette Duncan was the first Canadian woman to achieve international success as a journalist, novelist, and travel writer. Born in 1861, she wrote more than twenty books during a career which took her to the Far East, India and England."
Sara Jeannette Duncan was a vey interesting and successful woman. She was the first woman to be employed full time in a daily newspaper, the Toronto Globe, in 1886, and also worked for the Montreal Star. She embarked on a world tour with a fellow journalist and while stopped in Calcutta, India, met Everard Cotes, a British civil servant. She returned to India within two years to marry him. She then spent the rest of her life in India, although visiting her family in Canada often and traveling to other countries. Most of her books describe India in realistic local colors and her stories are in the setting of the manner of the Anglo-Indians of the British Raj, as the ruling party, the British Crown, was called in the Indian subcontinent from 1858 to 1947. (Click on collage twice to enlarge.)
The book The Pool in the Desert contains only 189 pages but it provided me with hours of research and travel. The stories are set in Simla, India, as it was called then; now it is called Shimla. I researched this city and its history. It turns out that starting in the early 1800s the British took refuge from the summer heat in this western Himalaya town because of its cooler climate. At some 2,100 m (6,889 ft) above sea level, Simla, surrounded by deep forests of cedar, oak, deodar and pine, was a cool hilly town with green pastures and snow-capped peaks. In 1864 it was confirmed as the British imperial summer capital of India. It was nicknamed "The Queen of the Hills." Below are some old engravings of Simla (be sure to click on collage to see well.)
Every year close to 5,000 British civil servants (imperial clerks and staff,) viceroys, military attaches, wives, children and servants made the tiring 1,200 miles journey from Calcutta to Simla. There they built houses, cottages and bungalows (bungalow is an Indian word) in timbered houses, in mock-Tudor architecture, flower gardens, etc. They also established several schools, a theatre, art exhibits, a post office, a mall with exclusive shops and a big bazaar. They played croquet on the lawn, golf, and took afternoon teas. It became a popular British "Hill Station." Here are some vintage postcards.
To serve the Anglican British community Christ Church was built in 1857. Below is a vintage postcard of the church back then and the way it looks now.
The English novelist, journalist, writer and poet Joseph Rudyard Kipling (1865-1936) visited Simla yearly with his family. His father, Lockwood Kipling was asked to serve in Christ Church. Kipling wrote often about Simla. Other personalities visited and some built summer homes there, including Lord Kitchener, commander of the British Army. Artists visited Simla as well, such as the English artist and poet Edward Lear (1812-1888) who drew a series of watercolors of Simla and the surrounding areas. (Shown below courtesy The Houghton Library, Harvard University.)
During the era of the Raj Simla had a reputation for being exclusive and expensive. It also had a naughty reputation because of the concentration of so many unattached men (civil servants, engineers, soldiers, merchants) bachelors and women visiting during the hot weather season. Young single women came from England in search of a husband among all the single English men there. Rudyard Kipling said in a letter that Simla was a place for "frivolity, gossip and intrigue." An area in Simla is even called "Scandal Point" because of its improper past. It is a small square between the Ridge and the Mall Road.
Because the British viceroys spent from early April to late October in Simla and ruled the entire Indian subcontinent from there an official residence was built 2+ miles (3.5 km) from Simla in 1888. British Viceroy Lord Dufferin and Lady Dufferin were the first to occupy the lodge on the 331 acre site, on top of Observatory Hills. It was state of the art for the time, the first building with electric lighting, its own steam generator, and running hot and cold water. Below is a vintage photo of the Viceregal Lodge, Lord Dufferin (1826-1902) Lady Dufferin (1843-1936) and one of the dining rooms - photos courtesy Wikimedia Commons Canada.
This magnificent building was in the "English Renaissance" style with elements from castles of the Scottish highlands, and interior walls covered with teak wood from Burma. Its gardens were a perfect setting for garden parties; the immense lodge could host 800 guests. At the time it employed a staff of 700. Notable personalities were its guests and even Mahatma Gandhi visited the then Vicery in 1940. Below he is surrounded by a crowd upon his arrival in a rickshaw in Simla in 1940.
After India independence in 1947 the Viceregal Estate went to the President of India who just spent a few days a year there. In 1964 the building renamed "Rashtrapati Niwas" (Presidentiel Residence,) became the Indian Institute of Advanced Study with the support from the second president of India, Dr. Sarvepalli Radhakrishnan, a scholar of comparative religion and philosophy. Now the Institute offers 2-year fellowships for research and study of cultures, civilization and meeting of different viewpoints. The building has been renovated. Several rooms are still open to the public. (Photo below courtesy Wikimedia Commons.)
India is a large country with an abundance of diverse and beautiful sights to visit so Shimla is not on the regular tourist circuit of common Western travelers. Shimla is now the capital of the state of Himachal Pradesh.
Owing to its romantic setting Shimla has become an ideal destination for Indian honeymooners in summer and also in winter, under the snow.
In 1903 to afford easier access to their summer capital the British built a narrow gauge 2 ft 6 in (762 mm) railway from Kalka, near Delhi, into Shimla. Until then everything, including official documents, came to Simla via mules and porters. This railway is still in working order and a great tourist experience providing dramatic view of the hills and villages of the lower Himalayas. This toy train travels at a clunky 15 miles an hour through 103 tunnels and 865 bridges. It is one of the steepest railways in the world climbing from 2,152 ft (656 m) and ending at Shimla at an elevation of 6,811 ft (2,076 m.) The journey takes almost 6 hours and goes through 18 small stations and 102 caves, making 919 curves and turns where many monkeys appear. Originally known as the "British Jewel of the Orient" the Kalka-Shimla Railway became part of the Unesco World Heritage Site in 2008.
Once in Shimla one can stop at an outdoor cafe on a hill and observe the mountain tops nearby such as the Pir Panjal Range of the Himalayas, more than 19,000 ft high, the Rakt Dhar at 20,100 ft and the Badrinath at 23,190 ft. Trekking circuits from Shimla are also popular - one day's travel will bring you to Dharamshala where the Dalai Lama and the Tibetan government are in exile (also in the state of Himachal Pradesh.) It is a spiritual center for Buddhism. Every year Shimla hosts one of the toughest mountain bike races in India - the MTB Himalaya biking race which covers 400 miles (650 km) in 8 stages and draws competitors from around the world.
After spending so much time with Simla and its history I was hoping to find other books with stories set there. At the Brentwood library I found the whole 12 mysteries written by British author Barbara Cleverly. They cover the adventures of Inspector Joe Sandilands of Scotland Yard, after WWI, while on assignment in Simla. Cleverly recreates the atmosphere of the Raj with wonderful descriptions of the area during the waning years of the colonial culture. I kept my iPad close by to look up many of the Indian words she mentions. One of them was "tiffin" as in a character saying "... will you come and join me for tiffin ..." Tiffin is an Indian English word for a type of meal, from a snack to a light breakfast or luncheon. It is still popular today and usually is a packed snack or lunch. A whole industry now produces tiffin boxes of different sizes. In a Nashville Indian grocery shop I bought a small tiffin box to carry a snack when I'll drive back and forth to Georgia. I even found a book of reminiscences and tiffin recipes from an expat from India. I have read five books of the Simla mysteries and will read the next seven. I'll be armchair staying in Simla for a while longer.
You could say I am immersing myself with nostalgia for the atmosphere of the old British Empire, but I am reading fiction. In reality, I think that under the guise of helping faraway lands, Western powers plundered these countries like India on a huge scale. Instead of being beneficial and humane colonialism robbed them of vast economic resources and wealth. Imperialism had contempt for native populations, it was arrogant and self-serving. The British were not benign and considerate, they were in India to exploit and for the benefit of their home country, not the local population. For example India in the 18th century was prosperous with a 23% share of the world economy but when the British left in 1947 it was only 3% and 90% of the population was poor. In 10 years (1891-1900) 19 million Indians died in famines alone. I am just armchair traveling, escaping the realities from the pain of my surgeries, the stress of being a 24/7 caregiver for my husband and the difficulties of moving from Georgia to Nashville, TN.
I'll end this post with a quote from Dr. Sarvepalli Radhakrishnan who, with Prime Minister Jawaharial Nehru, registered in 1964 the Indian Institute of Advance Studies now located in the former Viceregal lodge of Simla, India.
"The greatest event of our age is the meeting of cultures, meeting of civilizations, meeting of different points of view, making us understand that we should not adhere to any one kind of single faith, but respect diversity of belief. Our attempt should always be to cooperate, to bring together people, to establish friendship and have some kind of a right world in which we can live together in happiness, harmony and friendship. Let us therefore realize that this increasing maturity should express itself in this capacity to understand what other points of view are." - Dr. Sarvepalli Radhakrishnan.
The last time I went to our house in Georgia I gave about 400 more books to the library, but there are thousands more to go through. For years my husband and I gathered books from book sales and second-hand bookstores. Many are still unread and it is difficult to decide which ones to keep - of course my husband, because of his advancing Alzheimer's disease, cannot read anymore. I brought several boxes of books to Nashville and while recuperating from my knee surgery I read "light reading" mysteries. Then I decided to read a slim paperback I had bought in Monreal, Canada, years ago. It is called "The Pool in the Desert" by Sara Jeannette Duncan. It contains four novellas originally published in 1903. The back of the book says "Sara Jeannette Duncan was the first Canadian woman to achieve international success as a journalist, novelist, and travel writer. Born in 1861, she wrote more than twenty books during a career which took her to the Far East, India and England."
Sara Jeannette Duncan was a vey interesting and successful woman. She was the first woman to be employed full time in a daily newspaper, the Toronto Globe, in 1886, and also worked for the Montreal Star. She embarked on a world tour with a fellow journalist and while stopped in Calcutta, India, met Everard Cotes, a British civil servant. She returned to India within two years to marry him. She then spent the rest of her life in India, although visiting her family in Canada often and traveling to other countries. Most of her books describe India in realistic local colors and her stories are in the setting of the manner of the Anglo-Indians of the British Raj, as the ruling party, the British Crown, was called in the Indian subcontinent from 1858 to 1947. (Click on collage twice to enlarge.)
The book The Pool in the Desert contains only 189 pages but it provided me with hours of research and travel. The stories are set in Simla, India, as it was called then; now it is called Shimla. I researched this city and its history. It turns out that starting in the early 1800s the British took refuge from the summer heat in this western Himalaya town because of its cooler climate. At some 2,100 m (6,889 ft) above sea level, Simla, surrounded by deep forests of cedar, oak, deodar and pine, was a cool hilly town with green pastures and snow-capped peaks. In 1864 it was confirmed as the British imperial summer capital of India. It was nicknamed "The Queen of the Hills." Below are some old engravings of Simla (be sure to click on collage to see well.)
Every year close to 5,000 British civil servants (imperial clerks and staff,) viceroys, military attaches, wives, children and servants made the tiring 1,200 miles journey from Calcutta to Simla. There they built houses, cottages and bungalows (bungalow is an Indian word) in timbered houses, in mock-Tudor architecture, flower gardens, etc. They also established several schools, a theatre, art exhibits, a post office, a mall with exclusive shops and a big bazaar. They played croquet on the lawn, golf, and took afternoon teas. It became a popular British "Hill Station." Here are some vintage postcards.
To serve the Anglican British community Christ Church was built in 1857. Below is a vintage postcard of the church back then and the way it looks now.
The English novelist, journalist, writer and poet Joseph Rudyard Kipling (1865-1936) visited Simla yearly with his family. His father, Lockwood Kipling was asked to serve in Christ Church. Kipling wrote often about Simla. Other personalities visited and some built summer homes there, including Lord Kitchener, commander of the British Army. Artists visited Simla as well, such as the English artist and poet Edward Lear (1812-1888) who drew a series of watercolors of Simla and the surrounding areas. (Shown below courtesy The Houghton Library, Harvard University.)
During the era of the Raj Simla had a reputation for being exclusive and expensive. It also had a naughty reputation because of the concentration of so many unattached men (civil servants, engineers, soldiers, merchants) bachelors and women visiting during the hot weather season. Young single women came from England in search of a husband among all the single English men there. Rudyard Kipling said in a letter that Simla was a place for "frivolity, gossip and intrigue." An area in Simla is even called "Scandal Point" because of its improper past. It is a small square between the Ridge and the Mall Road.
Because the British viceroys spent from early April to late October in Simla and ruled the entire Indian subcontinent from there an official residence was built 2+ miles (3.5 km) from Simla in 1888. British Viceroy Lord Dufferin and Lady Dufferin were the first to occupy the lodge on the 331 acre site, on top of Observatory Hills. It was state of the art for the time, the first building with electric lighting, its own steam generator, and running hot and cold water. Below is a vintage photo of the Viceregal Lodge, Lord Dufferin (1826-1902) Lady Dufferin (1843-1936) and one of the dining rooms - photos courtesy Wikimedia Commons Canada.
This magnificent building was in the "English Renaissance" style with elements from castles of the Scottish highlands, and interior walls covered with teak wood from Burma. Its gardens were a perfect setting for garden parties; the immense lodge could host 800 guests. At the time it employed a staff of 700. Notable personalities were its guests and even Mahatma Gandhi visited the then Vicery in 1940. Below he is surrounded by a crowd upon his arrival in a rickshaw in Simla in 1940.
After India independence in 1947 the Viceregal Estate went to the President of India who just spent a few days a year there. In 1964 the building renamed "Rashtrapati Niwas" (Presidentiel Residence,) became the Indian Institute of Advanced Study with the support from the second president of India, Dr. Sarvepalli Radhakrishnan, a scholar of comparative religion and philosophy. Now the Institute offers 2-year fellowships for research and study of cultures, civilization and meeting of different viewpoints. The building has been renovated. Several rooms are still open to the public. (Photo below courtesy Wikimedia Commons.)
India is a large country with an abundance of diverse and beautiful sights to visit so Shimla is not on the regular tourist circuit of common Western travelers. Shimla is now the capital of the state of Himachal Pradesh.
Owing to its romantic setting Shimla has become an ideal destination for Indian honeymooners in summer and also in winter, under the snow.
In 1903 to afford easier access to their summer capital the British built a narrow gauge 2 ft 6 in (762 mm) railway from Kalka, near Delhi, into Shimla. Until then everything, including official documents, came to Simla via mules and porters. This railway is still in working order and a great tourist experience providing dramatic view of the hills and villages of the lower Himalayas. This toy train travels at a clunky 15 miles an hour through 103 tunnels and 865 bridges. It is one of the steepest railways in the world climbing from 2,152 ft (656 m) and ending at Shimla at an elevation of 6,811 ft (2,076 m.) The journey takes almost 6 hours and goes through 18 small stations and 102 caves, making 919 curves and turns where many monkeys appear. Originally known as the "British Jewel of the Orient" the Kalka-Shimla Railway became part of the Unesco World Heritage Site in 2008.
Once in Shimla one can stop at an outdoor cafe on a hill and observe the mountain tops nearby such as the Pir Panjal Range of the Himalayas, more than 19,000 ft high, the Rakt Dhar at 20,100 ft and the Badrinath at 23,190 ft. Trekking circuits from Shimla are also popular - one day's travel will bring you to Dharamshala where the Dalai Lama and the Tibetan government are in exile (also in the state of Himachal Pradesh.) It is a spiritual center for Buddhism. Every year Shimla hosts one of the toughest mountain bike races in India - the MTB Himalaya biking race which covers 400 miles (650 km) in 8 stages and draws competitors from around the world.
After spending so much time with Simla and its history I was hoping to find other books with stories set there. At the Brentwood library I found the whole 12 mysteries written by British author Barbara Cleverly. They cover the adventures of Inspector Joe Sandilands of Scotland Yard, after WWI, while on assignment in Simla. Cleverly recreates the atmosphere of the Raj with wonderful descriptions of the area during the waning years of the colonial culture. I kept my iPad close by to look up many of the Indian words she mentions. One of them was "tiffin" as in a character saying "... will you come and join me for tiffin ..." Tiffin is an Indian English word for a type of meal, from a snack to a light breakfast or luncheon. It is still popular today and usually is a packed snack or lunch. A whole industry now produces tiffin boxes of different sizes. In a Nashville Indian grocery shop I bought a small tiffin box to carry a snack when I'll drive back and forth to Georgia. I even found a book of reminiscences and tiffin recipes from an expat from India. I have read five books of the Simla mysteries and will read the next seven. I'll be armchair staying in Simla for a while longer.
You could say I am immersing myself with nostalgia for the atmosphere of the old British Empire, but I am reading fiction. In reality, I think that under the guise of helping faraway lands, Western powers plundered these countries like India on a huge scale. Instead of being beneficial and humane colonialism robbed them of vast economic resources and wealth. Imperialism had contempt for native populations, it was arrogant and self-serving. The British were not benign and considerate, they were in India to exploit and for the benefit of their home country, not the local population. For example India in the 18th century was prosperous with a 23% share of the world economy but when the British left in 1947 it was only 3% and 90% of the population was poor. In 10 years (1891-1900) 19 million Indians died in famines alone. I am just armchair traveling, escaping the realities from the pain of my surgeries, the stress of being a 24/7 caregiver for my husband and the difficulties of moving from Georgia to Nashville, TN.
I'll end this post with a quote from Dr. Sarvepalli Radhakrishnan who, with Prime Minister Jawaharial Nehru, registered in 1964 the Indian Institute of Advance Studies now located in the former Viceregal lodge of Simla, India.
"The greatest event of our age is the meeting of cultures, meeting of civilizations, meeting of different points of view, making us understand that we should not adhere to any one kind of single faith, but respect diversity of belief. Our attempt should always be to cooperate, to bring together people, to establish friendship and have some kind of a right world in which we can live together in happiness, harmony and friendship. Let us therefore realize that this increasing maturity should express itself in this capacity to understand what other points of view are." - Dr. Sarvepalli Radhakrishnan.
Friday, March 18, 2016
Bulloch Hall 34th Quilt Show ... and more - part one
Time is moving so fast that I almost missed Bulloch Hall 34th Quilt Show "the Great American Cover-up Quilt Show." Fortunately I read a notice about it in a newspaper, just in time. This year the show was held between March 4 and 13, 2016. It featured a special exhibit of quilts made by fiber artist Christine Cetrulo of Lexington, Kentucky - however photos were not allowed. But it was OK to photograph this year's great variety of quilts, about 200 of them, displayed throughout the historic 1840 house museum. We went on Tuesday, March 8, 2016, a beautiful sunny and warm day - 76 degrees F (24.4 C.) It is always a pleasure to visit this imposing antebellum mansion in Roswell, Georgia.
My dear readers have seen several of my posts on Bulloch Hall quilt shows and at Christmas time, when the home is decorated for the Holidays. This is our 4th year visiting the quilt show; chick here to see the 2013 show, here for the 2014 show, and here for the 2015 show. Major Stephen Bulloch built this outstanding home for his wife Martha and their six children. As I mentioned before, their daughter Millie married Theodore Roosevelt, Sr. Subsequently Mittie and Thee's elder son, Theodore, became the 26th President of the United States. The Bulloch's younger son, Elliott, was the father of Eleanor, who married Franklin Delano Roosevelt, the 32nd President of the United States.
As usual, we were greeted by large quilts hanging in the front hall. (Please click on collage to enlarge.)
Below, my husband is reading the show brochure while seating in front of quilt no. 1 "Crazy Daisy" by Diane Knott, a local guild member. This quilt is feature on the cover of Ms. Knott's book "Scrap Quilt Secrets." More of her work is displayed in other areas of the house.
In the back of the front hall was a striking blue quilt, called "Trees in the Moonlight" by Wanda Rose Stewart next to "Stwabewies Peese" by Devon Pfeif that was inspired by her granddaughter.
Then we walked into the dining room. By the fireplace was a quilt that looked like a portrait painting. It was "Life Journey" a self-portrait by Devon Pfeif who says "Upon completion of a project there are always bits and pieces leftover. Those are what make up this quilt. They have traveled with me for 30 years and are my life's journey."
The warming room contained some intricate geometric designed quilts, a quilt on a table and a quilt showing some sweet dogs.
There was also a bright red quilt from Diane Knott's book. A quilt placed on an easel, called "Caged Bird" by Joyce Daniels, had been inspired by Maya Angelou's book I know Why the Caged Bird Sings. On the wall was hanging a large quilt made from a multitude of little squares. It was called "Nationwide Swap" by Sharyl Dawes. She explained that the squares were accumulated through a Facebook Group. Each month they exchanged 20 different mini charms.
In the back hall quilt no. 52 "Santa Fe Arch" by Ann Quandee was machine appliqued, hand and machine embroidered. It was inspired by photos from Santa Fe, New Mexico.
The "Wicked Challenge" quilts were hanging along the staircase. The 20"x20" quilts were made of specially died green Cheerywood fabrics. Up at the landing were a colorful owl "Ready for Carnival" and a fun "Night at the Circus" quilts.
I liked quilt no. 77 by Gail Oliver, called "Awakening Wicked." She says "Elphaba decides to trust her beliefs and not judge right from wrong based on others' values."
My husband's favorite quilt was very large and pretty austere - white with blue border. It is called "Welsh Beauty Celebrating Love" and was quilted by Karen Hallacy's mother to celebrate Karen's 25th wedding anniversary.
More lovely quilts were exhibited in the upstairs hall, and in the two bedrooms. Quilt no. 108 below, near the chest of drawers, is called "Magnolia" and was made by Virginia Bradley, age 12, in Edgecomb County, North Carolina in 1863. Virginia died a year later due to the diseases of the Civil War.
A guild volunteer was working on a quilt in one of the bedrooms. She told me the pattern was called "stained glass window." On the bed, a blanket had white applique designs - it is no. 91 called "Snowflakes" by Nancy Summa (top right below) who says "Since my husband is a retired Army, the use of his Army blanket makes the piece more meaningful." I had never seen a plain wool blanket embellished like this. It looked very pretty, indeed, for a rough Army blanket. No. 84, in the center below, is "New Zealand Memories 2015" by Emily Wert. She says "My husband surprised me with new wedding bands inscribed in Elvish on our 34th anniversary trip to NZ." This quilt is made with fabric printed pictures and New Zealand fabric.
The quilt behind the bed is called "Kneeded Distraction" and was made by Shari Chastain of Kennesaw, Georgia (top right below.) It is a play on word as she says that she stitched the blocks during recovery from two knee replacement surgeries. Quilt no. 100, on the bed, is called "Swoon" by Jan Antranikian and is shown at the top of this post.
On a table in Mittie's bedroom was a sweet little quilted piece near the book "Mittie and Thee - An 1853 Roosevelt Romance." The quilt is called "Les Coiffes Catalanes" by Jean Sands. She says "Six vintage traditional head gear from the Pyrenees Orientales region of France were disassembled to make this wall hanging." Below are two postcards of French ladies wearing the traditional costume from that area, next to a map of France showing Departement no. 66, the Pyrenees Orientales (bottom of map and filled in red.) This French Departement is located near the Spanish border and the tiny nation of Andorra.
The pictures of the ladies on the little white quilt mentioned above are wearing Victorian clothes and go well with the lace and trim around them. Even with an old-timey style this quilt has more the approach of a modern "improvisation" quilt because of the asymmetry of the background.
Most of the quilts exhibited at Bulloch Hall were of the traditional style, and they were gorgeous. But I also like the artistry of modern quilting - the improvisations that show the personality of the quilter. My blogging friend Ruth of the blog "Birds of the air quilts" is a creative modern quilter - below are two of her quilts: "Nancy's macarons" inspired by a painting of Paul Klee, and an urban modern garden improv from Virginia Woolf's book Mrs. Dalloway.
Another quilter, Cassandra of the blog "The [not so] Dramatic Life" quilted a vibrant mini improv quilt with scraps of lovely shades. See below her "Blue Improvisation: Mini Quilt #6."
Both of these gifted ladies have a new approach to quilting that is original and innovative. Their quilts are stunning and I thank them for letting me show their work on my blog.
Another quilt I liked very much was called "Raven Stealing the Sun" by Stella Lang.
Stella says that her quilt was inspired by legends from Indians of the northwestern United States. But when I saw it, I immediately thought it was representative of Canada First Nations people, especially Coast Salish artists. We went to Vancouver Island, British Columbia, Canada, three times and I bought several postcards of drawings made by Pacific Northwest Native people. Some of these were drawn by artist Joe Wilson, born in Koksilah, near Duncan on Vancouver Island. See examples below. I love the great native art on Vancouver Island.
Now I still have photos from the quilts in the attic of Bulloch Hall, plus the sewing room and two rooms downstairs - they will be included in part 2 of this post.
Just a couple more drawings before I go - I saw these Native American cartoons by Ricardo Cate and could not resist showing them to you all. Ricardo Cate, of native Kewa Pueblo heritage, is the only Native American cartoonist carried in daily mainstream newspapers. (cartoons courtesy R. Cate.)
More quilts to come ...
Below, my husband is reading the show brochure while seating in front of quilt no. 1 "Crazy Daisy" by Diane Knott, a local guild member. This quilt is feature on the cover of Ms. Knott's book "Scrap Quilt Secrets." More of her work is displayed in other areas of the house.
In the back of the front hall was a striking blue quilt, called "Trees in the Moonlight" by Wanda Rose Stewart next to "Stwabewies Peese" by Devon Pfeif that was inspired by her granddaughter.
Then we walked into the dining room. By the fireplace was a quilt that looked like a portrait painting. It was "Life Journey" a self-portrait by Devon Pfeif who says "Upon completion of a project there are always bits and pieces leftover. Those are what make up this quilt. They have traveled with me for 30 years and are my life's journey."
The warming room contained some intricate geometric designed quilts, a quilt on a table and a quilt showing some sweet dogs.
There was also a bright red quilt from Diane Knott's book. A quilt placed on an easel, called "Caged Bird" by Joyce Daniels, had been inspired by Maya Angelou's book I know Why the Caged Bird Sings. On the wall was hanging a large quilt made from a multitude of little squares. It was called "Nationwide Swap" by Sharyl Dawes. She explained that the squares were accumulated through a Facebook Group. Each month they exchanged 20 different mini charms.
In the back hall quilt no. 52 "Santa Fe Arch" by Ann Quandee was machine appliqued, hand and machine embroidered. It was inspired by photos from Santa Fe, New Mexico.
The "Wicked Challenge" quilts were hanging along the staircase. The 20"x20" quilts were made of specially died green Cheerywood fabrics. Up at the landing were a colorful owl "Ready for Carnival" and a fun "Night at the Circus" quilts.
I liked quilt no. 77 by Gail Oliver, called "Awakening Wicked." She says "Elphaba decides to trust her beliefs and not judge right from wrong based on others' values."
My husband's favorite quilt was very large and pretty austere - white with blue border. It is called "Welsh Beauty Celebrating Love" and was quilted by Karen Hallacy's mother to celebrate Karen's 25th wedding anniversary.
More lovely quilts were exhibited in the upstairs hall, and in the two bedrooms. Quilt no. 108 below, near the chest of drawers, is called "Magnolia" and was made by Virginia Bradley, age 12, in Edgecomb County, North Carolina in 1863. Virginia died a year later due to the diseases of the Civil War.
A guild volunteer was working on a quilt in one of the bedrooms. She told me the pattern was called "stained glass window." On the bed, a blanket had white applique designs - it is no. 91 called "Snowflakes" by Nancy Summa (top right below) who says "Since my husband is a retired Army, the use of his Army blanket makes the piece more meaningful." I had never seen a plain wool blanket embellished like this. It looked very pretty, indeed, for a rough Army blanket. No. 84, in the center below, is "New Zealand Memories 2015" by Emily Wert. She says "My husband surprised me with new wedding bands inscribed in Elvish on our 34th anniversary trip to NZ." This quilt is made with fabric printed pictures and New Zealand fabric.
The quilt behind the bed is called "Kneeded Distraction" and was made by Shari Chastain of Kennesaw, Georgia (top right below.) It is a play on word as she says that she stitched the blocks during recovery from two knee replacement surgeries. Quilt no. 100, on the bed, is called "Swoon" by Jan Antranikian and is shown at the top of this post.
On a table in Mittie's bedroom was a sweet little quilted piece near the book "Mittie and Thee - An 1853 Roosevelt Romance." The quilt is called "Les Coiffes Catalanes" by Jean Sands. She says "Six vintage traditional head gear from the Pyrenees Orientales region of France were disassembled to make this wall hanging." Below are two postcards of French ladies wearing the traditional costume from that area, next to a map of France showing Departement no. 66, the Pyrenees Orientales (bottom of map and filled in red.) This French Departement is located near the Spanish border and the tiny nation of Andorra.
The pictures of the ladies on the little white quilt mentioned above are wearing Victorian clothes and go well with the lace and trim around them. Even with an old-timey style this quilt has more the approach of a modern "improvisation" quilt because of the asymmetry of the background.
Most of the quilts exhibited at Bulloch Hall were of the traditional style, and they were gorgeous. But I also like the artistry of modern quilting - the improvisations that show the personality of the quilter. My blogging friend Ruth of the blog "Birds of the air quilts" is a creative modern quilter - below are two of her quilts: "Nancy's macarons" inspired by a painting of Paul Klee, and an urban modern garden improv from Virginia Woolf's book Mrs. Dalloway.
Another quilter, Cassandra of the blog "The [not so] Dramatic Life" quilted a vibrant mini improv quilt with scraps of lovely shades. See below her "Blue Improvisation: Mini Quilt #6."
Both of these gifted ladies have a new approach to quilting that is original and innovative. Their quilts are stunning and I thank them for letting me show their work on my blog.
Another quilt I liked very much was called "Raven Stealing the Sun" by Stella Lang.
Stella says that her quilt was inspired by legends from Indians of the northwestern United States. But when I saw it, I immediately thought it was representative of Canada First Nations people, especially Coast Salish artists. We went to Vancouver Island, British Columbia, Canada, three times and I bought several postcards of drawings made by Pacific Northwest Native people. Some of these were drawn by artist Joe Wilson, born in Koksilah, near Duncan on Vancouver Island. See examples below. I love the great native art on Vancouver Island.
Now I still have photos from the quilts in the attic of Bulloch Hall, plus the sewing room and two rooms downstairs - they will be included in part 2 of this post.
Just a couple more drawings before I go - I saw these Native American cartoons by Ricardo Cate and could not resist showing them to you all. Ricardo Cate, of native Kewa Pueblo heritage, is the only Native American cartoonist carried in daily mainstream newspapers. (cartoons courtesy R. Cate.)
More quilts to come ...
Subscribe to:
Posts (Atom)





















































